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Bryan Hanlon's landscapes and still life paintings are attentive to the visual qualities of the everyday, finding interest in the shifting relationships between light, colour, form and place.

Lawrence Quigley's gestural landscapes respond more intuitively to the landscape, using movement, colour and painterly marks to evoke the energy and atmosphere of a particular place.

Jenny Sutton's still life paintings turn our attention to the intimate and familiar, exploring light, colour, shape and the quiet spaces between things.

Together, the three practices offer distinct ways of seeing. From the closely observed to the expressive, Falling Lightconsiders how painting can capture a fleeting moment of light, atmosphere or perception—and how something familiar can become newly seen.